shaman – catvincent.com returns

Guttershaman – Toolkits

Since I actually used the phrase ‘Way of the Guttershaman’ last time, I should say a bit more about what that entails.

The Way of the Guttershaman cannot be taught. But it can be learned.

God, that’s really fucking pretentious, isn’t it?

What I mean is, the Guttershaman approach is just that – an approach, a set of habits, a perspective for interacting with occult possibilities. A bricolage of weird shit. In short, a way of making your own toolkit for working magic using whatever fits.

The toolkit idea is one that’s important to me. I’ve written about it elsewhere, in my thoughts about what I call the Tribe of the Strange, that Outsider-fanboy-weirdo cohort that pops up every generation, and has to find it’s roots elsewhere than the mainstream of its birthplace society. The Guttershaman approach can be seen as a toolkit for the magic-using wing of the Tribe.

So, assuming you want to… how do you make a Guttershaman toolkit?

You start with metaphors.

The definition of magic I came up with in an earlier Guttershaman piece goes like this:

Magic is the means by which some observers can use and manipulate the patterns they observe to change the world.

This means you’ve got to look closely at how your personal patterns interact with the phenomenal world. It also means the more (and wider) varieties of patterns you’re familiar with, the more scope your explorations will have. More symbol-sets, more metaphors. Better, more complex tools – ranging from metaphorical mallets to jeweller’s screwdrivers. And, always, a good reliable multi-tool for use in a pinch.

Your multi-tool, to push the metaphor, is having a solid yet flexible set of symbols which relate well to each other and pack together neatly. This means that somewhere along the line, you’ll have to study one occult system or symbol-set in depth. In my case, it was the combination of Western Alchemy and its Sufi parallels/influences – but as long as it’s a system with a lot of built-in flexibility, and one that you can relate to on a deep emotional level, it doesn’t really matter which one it is (though of course which one you work with will strongly influence all your other tools). It is vital, however, that you ingrain it deeply. In order to gain a working knowledge of what other bits and pieces will work for you, you have to have something to compare them to – this system provides your baseline.

(Hate to resort to yet another hoary cliché, but it’s kind of like jazz – before you can successfully improvise, you have to be able to play the bloody tune properly.)

And of course having an actual multi-tool is a damn good idea too – along with it’s communications equivalent, a smartphone. (More on physical tools and props below.)

I’d also strongly recommend you learn a martial art – not a fancy dojo-only dance, but something you can actually use in a street fight. A -jutsu, rather than a -do, in Japanese terms. Nothing grounds you quite so well as knowing you can defend yourself, and specifically that you can use your body’s energies (Ch’i, Ki etc) and apply them directly. A spell, in the Guttershaman model, is simply ch’i with instructions encoded into it – so learn to push the ch’i hard and precisely. Also, knowledge of tactics and strategy has an awful lot of application in magic, especially at the pointy end.

(I only ever recommend one book on martial arts… because while you can’t learn martial arts from a book, you can learn strategy and tactics. That book is A Professional’s Guide To Ending Violence Quickly by Marc ‘Animal’ MacYoung. All the practical tactical and strategic advice you’ll hopefully ever need. Though a look at Sun Tzu & Musashi certainly won’t hurt.)

Most of your toolkit will be things that you use to get you in the mood for magic, to raise the ‘energy’ for you to use – sets of associations with particular emotional states, that you can draw upon at will. My love of movies and TV means that a whole bunch of mine come from those media. (For example, I’m especially fond of the use of tunes from soundtracks and scores as musical cues for particular head-states. Make the associations deep enough, and you don’t even need a MP3 player… humming or whistling a couple of bars will do the trick nicely.) Particular ‘ritual’ clothes and jewellery can have the same effect – a practice that’s been codified at least as far back as Crowley.

This brings me to the subject of props. The actual physical tools of your toolkit.

They should generally be the best quality you can afford, though preferably something that can be easily replaced – but, most importantly, they should be the most apt object for the purpose, not necessarily the most expensive or rare. Some of them you’ll want to make for yourself – other bits you’ll buy off the shelf, and maybe customise to your needs.

(Here’s a lovely example: magician Jason Miller based a magic wand around a shop-bought replica of Doctor Who’s Sonic Screwdriver… which he enhanced with an elemental ritual. Nice bit of work, that!)

But at the same time, you have to be able to improvise, to use whatever is to hand – relying on your bespoke kit is fuck all use if you don’t have it on you, or it gets lost, or the batteries run out. Your primary toolkit is the collection of symbol-sets your imagination associates with magic – and that improv skill should mean you can pick up any object with a rough-and-ready resemblance to what you need and treat it as the exact, perfect tool for the moment.

(There’s a handy mind-trick I like to use for that, taken from live-action roleplay. Often, an object in the physical world of the game is considerably less accurate-to-type than what it is imagined to be in the fantasy setting – say, a tennis ball in place of a Magic Missile. These lesser objects are called Phys-Reps – physical representations. Maintain a catalogue of the archetypal versions of your tools in your head – usually, they’ll be considerably better than any object you actually use anyway. For example, if you like using lightsabres in magic – and, honestly, who doesn’t? – even the most expensive replica will pale in comparison to the one in your imagination. Make and keep that detailed imagined version of every tool… and when needed, superimpose that pattern on whatever phys-rep you actually have. Bingo! Instant enchantment.)

The majority of the Guttershaman perspective is learning which symbols and metaphors work best for you. This doesn’t mean just settling for a few different sets and leaving it there – it’s about using whatever you learn and applying it to how you interact with The Weird. Every fiction, every news article or speculative science theory, every dumb meme and ancient myth, should be grist for your mill. There’s always room to learn more, to think differently, to upgrade your tools. But you should also strive to remember: Never mistake your toolkit for reality – and respect the toolkits, the paths and stories, of others. Learn from all other ways, share the best of your own.

The Shaman part of Guttershaman, for me, is always about taking those tools and using them to go into the Weird and come back with more tools, more ideas… to hopefully enrich the Tribe of the Strange – and especially, to protect it. Not everyone who works magic is a friend or ally. Not all practitioners share our views or have our needs. Some, frankly, are just spiteful vicious cunts. If you’re thinking the Guttershaman path makes sense to you, never forget that the primary duty of the Shaman is to defend their tribe from demons.

I’ve been looking here at how the Guttershaman’s mindset works – how to construct working mindsets and models inside your head. Next time, I’ll be looking at the stuff that’s outside your head, and how you deal with it.

The little things. Like, for example, gods.

Building Character 3 – Character Flaws

“I know what it’s like to feel unequal to the task required of you… to feel incapable. I’ll never be the man I was, but I’ve come to embrace those parts of my mind that are… peculiar and broken. I understand now that’s what makes my mind special. I wish you could see yourself the way I see you. You have no idea how extraordinary you are. If you can embrace that, there’s no end to what you can do.”

— Walter Bishop, in Fringe

Last time I was considering how pop-culture can inform (and occasionally misinform) one’s personality, especially for those of us whose interests in the spiritual lead us to draw on fictional sources. I asked;

“…when you’re actively trying to build or rebuild your personality around such a basis… what do you do?” How, exactly, does it work when you’re using riffs from multi-media as a way to explore and expand your personality?

Luckily, as I was writing, a perfect example came up. (Synchronicity is, as ever, the magician’s main ally.)

The above quote is from the penultimate episode of the third season of Fringe. For those who haven’t seen the series, (and I really recommend you do) it’s an odd little show which has grown from a monster-of-the-week X-Files vibe into a complex and emotionally satisfying piece of science fiction TV with a lot to recommend it. The quote comes from a scene where two of the protagonists are working on a dangerous problem which can only be solved by the harnessing of the suppressed psychic abilities of one of them, FBI Agent Olivia Dunham – powers which were induced during her childhood by the other, a full-blown Mad Scientist named Walter Bishop.

Walter is, to put it mildly, a broken man. A genius in several fields and a pioneer in the realm of fringe science, he’s no stranger to mind-altering drugs, spend seventeen years in a mental home and has had several pieces of his brain removed – apparently as his own behest. He has caused immense harm to Olivia in the past, but despite this they have become allies and uneasy friends.

I wept when I first saw that scene. Pure absolute recognition. It was like those words had been written to pierce straight through to my soul.

Of course, they weren’t. Despite the fact that I occasionally entertain as a useful exercise the thought-experiment of The Invisibles’ Mason Lang, that certain bits of pop-culture were created as messages and instructions for the rebellious and inquisitive, I don’t actually think that there’s a hidden Hollywood cadre of illuminated beings beaming Pure Truth to the Worthy. But sometimes it really feels like there is.

The parts of my mind that are, as Walter says, peculiar and broken, have a shape to them. And sometimes, a film or movie or book or piece of music seems to fit into one of the gaps, drop into place almost seamlessly – and part of me that was incomplete and gaping open and raw feels, even if just for a moment, whole. I think that part of our development as people, what Jung called Individuation, is a process of finding such pieces, trying them out, seeing if they fit. Tessellation of the soul.

That’s why I don’t feel that incorporating a whole personality or a single mythos into your head works terribly well. We’re all of us broken and incomplete and flawed in different ways. I suspect that in most cases, dropping an entire fiction-suit over the top of all that doesn’t actually help to repair the holes, it just covers them up for a while. Band-Aids on arterial spray. It would, I think, be a terrible idea to just become Walter Bishop, even though he’s one of the most delightful characters in modern television – he pisses himself occasionally, has crazed rants at supermarket packaging, makes terrible decisions that have catastrophic consequences… and, like all such people from all such worlds, he’s incomplete in a significant way, because he’s a fiction. Even more than the rest of us ‘real’ people. Drawing on these archetypal figures for wisdom and guidance, maybe even for the odd quirk or habit, is a good and useful start, but it’s just a start… because their creation is so very different from ours. Their strengths and deeds, flaws and weaknesses are not the same. Similar enough to be useful, but only in part.

I also think that it’s the very act of adapting to our flaws and weaknesses that constitutes spiritual and mental growth. But for that to happen, there has to be a wound to heal.

I don’t know a single person who’s a practitioner of magic or other spiritual exercises who has not, at some point, suffered greatly. Health problems, abuse, being outcast – these are so common among the Tribe of the Strange as to practically be signs of membership. It’s more than possible, I think, that it’s these traumas – and, more importantly, how the survivor of them adapts and grows to compensate for them – that are where the magic enters. All shamanic systems rely on shock as a means of initiation – an attempt, I suspect, to induce these fractures into people to let the light in.

(This doesn’t always work, either when deliberately induced or accidentally endured. There are plenty of folk out there who are broken and this just doesn’t happen for them. The other factors involved are variable in the extreme. Plus, it makes an awfully convenient excuse for power elites to harm others in the name of Illumination and initiation. Nothing’s perfect.)

For those of us who are broken in this particular way, there’s usually some combination – between the yearning for greater completeness, connection with others and the world, and the initial breach – which makes for a mage, a shaman, a seeker. My own journey on that Path quickly led me to realise that wisdom, guidance – tools – can come from anywhere the soul can recognise as true. That fits those broken places.

This scene from Fringe not only speaks directly to that, but perfectly encapsulates it for me. It won’t for others. That may be the entire point. But if you’re one of the broken ones, one of the Tribe of the Strange… seek your stories, your metaphors, your Truths (the good ones are usually plural) and share them, compare them with others, regardless of their background and beliefs. We can only grow by combining our stories, our toolkits… using them to change our minds, literally.

And, like Walter Bishop said – if you can embrace that, you can be extraordinary.

Olivia: I know that you want to believe in me, and I want to believe in me. But believing doesn’t make it true.

Walter: Just try.

—Fringe

Guttershaman – Of Avatar and Otherkin…

“…stories dramatize ideas and truths that we all intuitively recognize. Although these stories are not exactly ‘true’, they nonetheless offer a kind of Truth that is more compelling than hard facts.”

Rabbi Cary Friedman, ‘Wisdom from the Batcave‘

“Believe nothing,
No matter where you read it,
Or who has said it,
Not even if I have said it,
Unless it agrees with your own reason
And your own common sense.”

The Buddha

———————————

It’s an interesting time to be writing about belief and religion.

Consider, for example, the Avatar Otherkin.

Otherkin, for those of you who’ve not come across the concept, are people who believe they are (in some sense, be it spiritually or literally) non-human. There are lots of variations of this belief – some feel they are elves, vampires (in all flavours from Anne Rice-y to Twilight-ish), werewolves or dragons – others believe they are entities from what we usually call fiction – such as inhabitants of the Matrix, anime characters… or, recently, Na’vi from Pandora.

I trust I don’t have to explain what Avatar is.

What’s especially interesting to me (as someone who not only has a lot of sympathy for people looking to fiction for their spiritual metaphors but also who was involved with Otherkin earlier in my occult life) is not just how quickly this particular strain of Otherkin have emerged, but how vehement some of them are concerning their rights.

The Na’vi Anti-Defamation League were founded only a few weeks after the film was released. Their purpose is “to monitor and take action upon groups and individuals who are promoting hate speech and anti-Na’vitism against fans, Na’vi-kin, and followers of Eywa.” Now admittedly they’re a small group on Live Journal… but nonetheless, that they exist at all is interesting to me.

Why Avatar was the film which stimulated such strong feelings – among many people world-wide, not just the rather specialised area of the Otherkin community – is of course not entirely known. Some have suggested it was the exaggerated realism of the immersive 3D environment and computer graphics, or that its (to some folk) rather diluted version of classic mythological themes allows it to appeal to a wide range of viewers – or it could be simply that it’s the biggest hit movie of our time. For whatever reason, it’s become a major metaphor – to the point where Palestinian protesters in Gaza dressed as Na’vi when on protest.

After seeing Avatar, I have to say that all the criticisms – from plagiarism to white guilt – have justification. (A nice cumulative bitchslap version of them all here.)

But, you know, Smurf Pocahontas jibes aside… parts of the film still made me weepy with the sheer mythic aptness of it all. That much-maligned plot – a crippled warrior, twin of a dead scholar, seeks healing & truth in another world he enters through (more-or-less) lucid dreaming, finds magic powers after trials and ends as a fusion of his old and new cultures – None More Miffick.

You can certainly make a case that Na’vi spirituality is a watered down appropriation, a morass of once truly authentic cultural memes reduced to their lowest common denominator… but probably not to someone like me, whose view of the value of authenticity in mysticism is, shall we say, a tad harsh. It could be that the diluted Deep Green/Gaia Consciousness of Avatar simply fits some folk better than anything that other mythos of the world can offer.

And of course you could also make a case that Otherkin – Avatar or otherwise – are just mad. That they’re taking their imagination and wish-fulfilment too far, that they’re just sad fanboys-and-girls who’ve played one too many role-play games.

I wouldn’t.

For one thing – every religion or belief system looks crazy from the outside. All of them. Yes, even yours.

For another, these sort of beliefs are not only becoming more prevalent, but they’re also starting to be recognised as a legitimate expression of spirituality in our post-modern (and increasingly – I hope! – post-Judaeo-Christian) world. The sociologist Dr. Adam Possamai has coined the term “Hyper-Real religions” to describe them, and I’ll be coming back to that idea much more in later posts. Short version for now – people trying to seek meaning in a world where trust in traditional top-down belief structures has failed them often look for new myths to try and work out just who they are. They’re often a lot less picky about how ‘true’ something is for it to be ‘real’ to them… and there’s an awful lot of mythos to choose from these days. The end result – Otherkin, the Jedi religions and much else.

The Tribe of the Strange has a lot of overlapping sub-groups. The Venn diagram for ‘SF fan’, ‘occultist’, ‘tabletop role-player’, ‘BDSM/kink practitioner’, ‘polyamorist’, ‘Pagan’, ‘computer programmer’, ‘comic book reader’, ‘cosplayer’ etc. will often show a lot of people in any one category having at least two of the others going on. Unsurprisingly, they all feed into each other… so that, for example, the roleplayer – whether in the form of tabletop or computer gaming or sexual exploration – will see a parallel between what they do in that state-of-mind and carry it across to their spirituality. (And if you’ve not yet experienced the kind of intensity which a good role-play session can create, the heightened unreality that nonetheless feels, at the time at least, utterly true and real… then your opinion is, shall we say, uninformed.)

But like any bunch of tribes, there’s a certain amount of internecine warfare going on among the conversations between them. (Drop words like ‘furry‘ or ‘Gorean‘ into some of those conversations, for example…) The degree of snottiness involved usually stems from one group having a perceived status over the other – of being more ‘real’ or ‘sensible’ or ‘proper’ or, my old fave, ‘authentic’. But there’s a phrase from one of those overlapping groups that fits pretty well here.

Your kink is not my kink and that’s OK.

Why not draw inspiration from a myth you know isn’t based on fact? Why does that idea harm your beliefs? For some folk, it just suits them more than the half-true (at best), ‘legitimate’ religions of the world. Some mystics would bluntly state both come from the same source (one version of which is Alan Moore’s concept of Ideaspace). Some would even say it’s more honest than insisting a blurry, ancient myth structure is unassailable truth. At worst, it’s a new perspective, a different angle from which to view the numinous signals that inspire all faith. (Assuming of course that you’re not one of those believers who’s utterly certain theirs is the One True Way…)

There’s nothing at all wrong with drawing on avowedly fictional sources for definitions of your personality, mysticism, even sexuality. The trick is, as I’ve said often before, being able to step away from that viewpoint from time to time, to consider it as if real, not as real. And to be fair, many of those who identify as Otherkin do so. It’s nowhere near as simple as these people suddenly deciding they’re a dragon and not actually thinking about what that entails…

From my experience in these realms, that’s actually hard to do. There’s something deeply attractive, even intoxicating, about getting some confirmation that not only are you not like everyone else, but that there are people similar to you who feel much the same way. The dichotomy of being an individual and being part of a tribe, combined. For me, finally, it was a good and beneficial place to visit, but I couldn’t stay there. For others, it’s a perfect fit. Same could be said of any faith or perspective, really.

But there’s no question that once you permit the possibility of a belief based on fiction having as much validity in consensual reality as established religions, all sorts of interesting problems occur.

Such as the one which sounds an awful lot like a bad joke, that starts “this Jedi walks into a Job Centre…”

Guttershaman – The Authentic Shaman, part 2 – Body and Soul, Sweat and Coin

“Where there is money, you have cheats. The two go together.” Eric Cantona

“Send lawyers, guns and money – the shit has hit the fan.” Warren Zevon

Previously on Guttershaman…

I was looking at how modern Western ‘Shamanism’ is a mix of ideas borrowed from various native traditions (often without either respect or understanding). I also noted that sometimes the matter of ‘authenticity’ to an existing tradition was not the most significant point – that there are people who seem to have a genuine call to serve their tribe/culture/whatever and attempt to honour this vocation as best they can with the tools and ideas they have at hand. Authenticity to this impulse, if done sincerely and thoughtfully, can matter more than devotion to tradition. The question of how all this becomes even more complex when adding commerce to the mix, I left to examine at a later date.

In between then and now we have had a tragic example of how badly that mix can go wrong.

The story of how three people died and dozens were hospitalised as a result of taking part in a ‘spiritual warrior’ sweat lodge held by James Arthur Ray has been heavily discussed, both within the occult community and outside. (A good primer on this can be found at the Wild Hunt blog and the Wikipedia biography of Ray is also of use.) There’s been an awful lot said about Ray’s particular variation on the New Age Guru – much of it perhaps better left for the legal apparatus.

What is extremely clear, both from reports of those who were involved in the fateful sweat lodge itself and Ray’s own words (on his website – to which I will not directly link – and in his many media appearances) is that his primary focus is money. What’s also clear to me is that his ‘theology’ emphasises something I consider to be one of the nastier habits of many mystical systems – that the soul is far more important than the body.

I think those two points are deeply related.

The idea that spiritual purity and earthly success reflect each other – whether one calls it the Law of Attraction, Prosperity Theology or what have you – may seem to contradict the idea that the soul is more important than the material world. I think that it’s an inevitable result of how soul/body dualism is usually expressed in the West.

The idea goes:

“Money is power. If I have money, I am powerful. If there is a God or spiritual force, then surely my power and position show that God favours my endeavours? If not, surely I would be poor and powerless?”

Add to this the concept that the soul is immortal and thus above/better than the body… and you get the justification for an awful lot of cruelty and privileged behaviour.

“You’re poor? That means your soul is weak, that God does not love you.”

Then, up steps the Guru.

“I can make your soul better. I can bring you wealth in this world and the next. But in order to show you are ready, that your are committed enough to begin this process, you have to make an offering. A sacrifice to the coming purity of your soul and the inevitable favour of God.”

“That’ll be ten thousand dollars, please. Here’s your receipt.”

If you’re the Guru and your prime interest is making money, it’s quite an effective sales technique – and provides a lovely example of just how powerful the Guru’s mojo is. After all, look how much money he has! He must be good at this!

…and if you should fail at the various little tests at the weekend spirit warrior workshop…

…if you can’t break a board with your hand after an hour of preaching (rather than ten years of martial arts training and physical conditioning)…

…if you can’t stay conscious in a sweltering hut covered in plastic tarps with no water or ventilation…

…if you die while under the Guru’s tender care…

..well, that’s a shame. At least your soul learned something. Better luck next incarnation.

This is not to say that it isn’t possible for mystical pursuits to have an effect on the material world – I wouldn’t be much of a magician if I believed that. I also know that spiritual development can demand a heavy toll on the body of the practitioner, that the shamanic path often relies on stress, shock and fear as methods of altering consciousness. But it infuriates me when Gurus and teachers blithely assume that a purified soul is worth any cost to the body.

(It’s exactly the same attitude which leads to exorcisms resulting in the injuring or death of the subject – as long as the ‘demon’ is driven out and the immortal soul saved, it’s considered a price worth paying. As someone who strove to protect in every way those under his care as a professional exorcist and curse-breaker, it disgusts me when the supposed pursuit of spiritual purity is used as an excuse to torture, maim and kill.)

Ray is an especially clear example of how modern conceptions of the shaman are far too often expressed. His publicity makes a great deal about his experiences with several ‘authentic’ native traditions, but also borrows heavily from the layman’s version of quantum theory… while showing a painfully superficial understanding of both. There’s a lot of lip service to concepts such as (one of my all-time favourites) becoming a ‘spiritual warrior’ without actually having any martial training or combat experience whatsoever. There’s also the classic come-along of his Deep Inner Knowledge of Mighty Secrets of Power which he will share with you… for a hefty fee.

And what he’s selling is such a superficial version of wisdom, a weak dilution of knowledge. Shamanism For Dummies.

He, like so many New Age gurus, sells the illusion that someone can become a powerful magician/shaman without actually putting in the work – the months and years of practice, study and trial it takes to develop yourself. This isn’t just cheating his clients, it’s insulting to those who actually have done the work. It also gives a dangerous impression that Ray and his ilk are far more competent in these matters than they actually are. Ray claimed he was an expert, an authority in this field and as a result people trusted him with their lives and souls – and he wasn’t even able to work out that people in hot rooms need to breathe.

I think the thing about Ray that stood out for me most is how utterly plastic and shallow, how inauthentic in every sense, he seems. He comes across as nothing so much as Tom Cruise in Magnolia… I can picture Ray running around a stage, his little wire microphone stuck to his head, declaiming “Respect the cock! And tame the cunt!”. No master of the occult arts – just a salesman.

(An effective salesman, though. Bear in mind he’s still open for business and people are still going on his retreats.)

It’s not that I don’t think there’s a place for teachers of mystical knowledge – or that they shouldn’t be compensated for their time and services. As I said about the appropriation of native techniques, it’s about not taking the piss – not getting greedy, not assuming that everyone has the same strengths and abilities, not caring how hard you push the bodies of those under your tutelage as long as your idea of the soul is satisfied. When you think like that, it’s easy to forget that a person is mind and body and soul together – and that their existence does not come with a price tag.

———————————

Shamanism, myth and metaphor – and Wolverine

From this piece on the popular funny book character as shamanic figure:

Myths, rituals and religion bind us together and can be seen metaphorically as the bones of our society. Our personal belief and value system can be seen as our soul’s set of bones. As we grow up we take on the beliefs and values of the people around us. There comes a point for some of us where we start to doubt the absolute truth of the claims of our culture. We question and question and lose all belief. We are left dismembered and torn apart.

Our symbolic bones are brittle and fragile to begin with because we see them as being literally and absolutely true. For example, when the claim that the moon is a goddess is understood literally, it is smashed to pieces when we land on the moon. Stories and symbols address psychological needs and these change over time. In order to stay relevant and useful the stories and symbols we hold dear must also change. The literal and absolute perspective can not accommodate change and so is weak and fragile.

A man with unbreakable bones has a belief system that is fluid and adaptive to his life. He chooses from the stories and symbols around him and defines himself through them. He dances to the beat of his own drum. He is protected from the manipulation of others by his conscious recognition of the power of symbol and story. The transition from a literal to metaphorical perspective requires the complete dissolution of everything that we previously held to be true. When the process is completed the core of our being is left free from doubt and insecurity.

Well said, bub.
(And don’t get me started on the shamanic arc of Hugh Jackman’s career… let’s just say, go see a double bill of The Prestige and The Fountain and see how that does ya.)

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Guttershaman – The Authentic Shaman

‘Of course the Chinese mix everything up – look at what they have to work with! Buddhism, Confucianism and Taoist alchemy and sorcery. We take what we want and leave the rest, just like your salad bar.’ Egg Shen in John Carpenter’s Big Trouble In Little China

(Disclaimer: I am, to quote Jim Jarmush’s great film Dead Man, a Stupid Fucking White Man. I have no formal training in the deep mysteries of any native ‘shamanic’ or tribal tradition – of any single tradition at all, for that matter. I am just a product of my time and place, trying to find my way. That perspective is the basis for all that follows.)

The title this time around is a misnomer. There are no authentic shamen. Not any more.

The term ‘shaman‘ is a specific one. It refers to Tungus-speaking tribal practitioners of folk magic and spirituality. They were wiped out so completely by Soviet and Chinese Communism that Western ‘neo-shamen’ from Michael Harner’s school came over and instituted their own versions of ‘shamanic’ practice to replace the native tradition. So that makes anyone claiming to be a shaman – neo or Gutter or otherwise – inauthentic.

The idea of shamanism we have today, which draws ideas from many different tribal and native traditions (via anthropology, which co-opted the term), is likely a very different thing than the original Siberian form. The word ‘shaman’ has become a placeholder, a symbol for something else – usually describing various interpretations of traditional and tribal spiritual praxes involving a rather borderline position to the rest of the tribe, consciousness-alteration and ‘travelling’ to spirit realms for healing and wisdom. Of course, in considering the use of tribal spiritual motifs from other cultures, we soon hit a problem… which is usually called cultural ‘theft’ or appropriation.

There’s no doubt that an awful lot of problems have arisen due to the heavy-handed appropriation of older cultural concepts. The Native American Nations have often complained about (mostly) white New Age practitioners taking elements of their practices and touting them, out of context, as a spiritual path. Interestingly, common terms used by Native Americans to describe these Newagers are ‘plastic shamen‘ and ‘shake-and-bake shamen’…

I think the key factors here are around concepts of respect and authenticity. (A third factor is, of course, commerce. That’s a big enough can of worms that I’ll have to open it in a later post.)

The respect part I get, absolutely. Barging into a native tradition and announcing you’re not only a fully-fledged practitioner of that traditions mysticism but that you’re improving it and that the natives are Doing It Wrong, is insulting and crass. “Taking the piss”, as we Brits call it.

If you’re going to work fully in a magical or spiritual tradition, I would say showing due respect to the culture it came from is just good bloody manners, as well as good sense. But at the same time, worrying about how the symbols and memes of such cultures are used (or even misused) outside of their native context often seems more a matter of colonial guilt and shame than disrespect. It’s a complex set of issues.

(Plus, some of those tribal traditions have attitudes and practices – homophobia, misogyny, isolationism, child abuse, human sacrifice – which are frankly best left to the past. Of course the actions of colonial invaders in the past were often just as vile… and I can’t offhand think of a culture that has not been invaded and colonised at some time in their past, or been the invader, or both. Like I said, complex.)

Is it cultural appropriation for a white man to enjoy (or perform) Afro-Carribean-based music? Or for an Indian movie maker to be inspired by Hollywood (or vice versa)? Or an Amazonian native to wear a Manchester United t-shirt? For a magician to use laymans versions of quantum or meme theory as magical tools?

To me, that’s kind like asking whether Crossroads Blues was performed better by Robert Johnson or Cream. Or more directly, which is better – traditional Yoruba magic, Haitian Voudon, New Orleans Voodoo or Cuban Santeria?

Cultures are always a mix of the native and the foreign, the traditional and the new. Have been ever since humans started to trade. The quote at the start states the mix of currents in Chinese spirituality quite nicely, for example. The degree of mixing changes over time and place – sometimes just a touch, sometimes a dollop. Sometimes the mixings can provide something genuinely good – like the massive upgrade to British cuisine provided by Asian immigrants in the 1970’s. Sometimes it doesn’t work so well – such as Japanese whiskey. But cultures and traditions evolve through mixing and exchange of ideas.

This is especially true of Britain, a Mongrel Nation if ever there was one (as explained in scrupulous and often hilarious detail by Eddie Izzard in his TV show of that name). The original native British (and Western European) ‘shamanic’ traditions are all but gone too, banished by the Christians… but enough hints and pieces remain in myth and legend – in our culture – to inspire a new ‘tradition’ of mystical praxis to arise. It’s not terribly authentic, in all likelihood – there’s no way to really know (though many talented pagans and historians are doing their best to find out all they can about it.). Large chunks of it have been drawn from other native traditions. But it is powerful and quite beautiful at times. At other times, it can be a farrago of confused, misquoted and misapplied traditional currents, mixed in ignorance, stirred in arrogance. The result isn’t authentic at all – no matter how hard some Newage types try to claim it as such.

No question that the Plastic Shamen and their techniques are all-too-often a hodge-podge of different traditions and practices thrown together more-or-less at random. And, I have to admit, that could be said of what I do too.

That’s part of the reason I coined the term Guttershaman to describe my path/spirituality/whatever. Most people know what shaman – and gutter – implies.

Yes, I picked up my information from libraries, other practitioners, movies and TV shows – and I made a whole bunch of stuff up, based on my experiences and discoveries. At the same time, there was always something about the shamanic concept as I understand it that called to me. The elements of being an outsider to the tribe as a whole, but still in some sense having a responsibility to it. The use of ecstatic and terrifying occurrences as a tool for spiritual development. The process of bringing something back from ‘the other side’. And, ultimately, the sense of being called to the path by something beyond the normal world. If there’s any ‘authenticity’ in what I do, it’s to that.

My wife is also a ‘shaman’. Her path, to put it mildly, differs from mine. She found that her way is Curanderismo – the Hispanic American folk practice. She has spent a long time in Peru, learning it first hand from a master whose family has worked in this path for generations. She’s also a neuroscientist by training, and has picked up more than a little of the multi-model approach to magic both from myself and her own studies. Thus when she thinks about that path, there is a degree of both distance and immersion, depending on circumstance and context.

Also… her master has taken the sacred songs (icaros) from many different tribes in Peru and elsewhere to bring into his praxis. And… that tradition is itself mixed with Catholic elements brought over by the Conquistadors. In fact, the majority of the lyrics to the icaros are in Spanish and use Christian imagery. The pure native tradition just isn’t there any more.

Is the system she follows ‘authentic’? Is it more or less so for her (an American woman of East European Jewish ancestry and a trained scientist) to practice it than for her Columbian-born, mixed-race, Catholic-indoctrinated Maestro? And is she more or less of a ‘shaman’ than I?

Put it this way – she and I both get results. And we work together great.

It’s the concept of ‘authenticity’ that gets in the way, I think. It’s like ‘purity’ in some ways – an impossible, and sometimes dangerous, ideal. Except, perhaps, when talking about being authentic to an ideal…

To feel your true identity is not based in your immediate family, your tribe, your country and its religious and social habits – but is something you sense and strive towards – is not easy. Sometimes an idea from another culture is exactly the thing you need to, forgive the term, become yourself. Sometimes who you’re born and raised as isn’t who you are. It isn’t theft to find a different culture to your own enriching – as long as you are authentic in your respect, that you strive not just to take but also to give.

As long as you don’t take the piss.

………………………………………………………………………………………………………………………………………………………………………………………………

‘Authenticity is bullshit. Never more so than today.

We can be anyone we can imagine being. We can be someone new every day.

…See if any of these comments are familiar:

“You should be happy with who you are.”

“Be yourself”

“That stuff’s just fake.”

“Don’t get ideas above your station.”

“Take that shit off.”

“Why can’t you be like everyone else?”

Yeah?

We’re not real enough. We’re not authentic to our society.

…But you know what? Back in the days before the internet, a kid called Robert Zimmerman said, “fuck that, I’m going to be the man I dream of being. I’m going to become someone completely new and write about the end of the world because it’s the only thing worth talking about”. And that was one guy in Minnesota, in the decade the telecommunications satellite was invented. Imagine what all of us, living here in the future, can achieve.

Be authentic to your dreams. Be authentic to your own ideas about yourself. Grind away at your own minds and bodies until you become your own invention.

Be mad scientists.

Here at the end of the world, it’s the only thing worth doing.’

Warren Ellis, in Doktor Sleepless Issue 5, ‘Your Imaginary Friend.’

POSTSCRIPT – In researching this piece, I came across a lot of very interesting writing on the subjects discussed. Two I found – one long, the other very short – are especially worth a look.

(Next on Guttershaman – Culture, money and morality. Tricksters and thieves. Probably.)